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Je cherche un homme PDF
By:Edmond R Mansoor
Published on 1971 by

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Changing Pictures PDF
By:Margriet van Eikema Hommes
Published on 2004 by Archetype Publications

This is the first extensive art historical study on the discoloration of old master paintings, concentrating on oil paintings from the 15th to the 17th centuries.

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Sweet Sweat PDF
By:Justine Frank
Published on 2009 by

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Download Ingres et la femme (autour des dessins du musée). PDF Free

Ingres et la femme (autour des dessins du musée). PDF
By:Musée Ingres
Published on 1970 by

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Art and Allegiance in the Dutch Golden Age PDF
By:Margriet van Eikema Hommes
Published on 2012 by Amsterdam Studies in the Dutch

In the 1660s, Ferdinand Bol, one of Rembrandt's most famous students, painted a set of five wall-sized canvases for a wealthy Calvinist widow from Utrecht. His patron chose the themes of each painting, so that each piece reflected her own political and religious convictions. Thus Bol's work is a powerful tool for both the art and cultural historian, providing insight into the historical milieu of the seventeenth-century Netherlands. Margriet van Eikema Hommes brings this exceptional commission to life using the recent restoration of canvases to perform a “forensic” investigation, and integrating archival research, new scientific techniques for identification, and iconological analysis.

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Erotique PDF
By:Michelle Olley
Published on 2011-07-01 by Carlton Books Limited

This high-quality publication showcases the finest examples of modern erotic art--from Picasso's explicit sexual sketches to the 1960's pop-art stylings of Allen Jones to cutting-edge new media work. With generous samplings of erotic illustrations, pin-ups, surreal and comic art from the 20th and 21st centuries, as well as provocative peeks into painting, sculpture, and graphic design, Erotique is a testament to human sexuality and creativity.

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African masterpieces from the Musée de l'homme PDF
By:Susan Mullin Vogel,Francine Ndiaye,Musée de l'homme (Muséum national d'histoire naturelle),Center for African Art (New York, N.Y.)
Published on 1985 by Harry N Abrams Inc

A look at one hundred masterpieces of African |primitive| art, from the acclaimed collection of the Musee de l'Homme in Paris, encompasses representative works of the Dogon, Zulu, Akan, and other African cultures

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|Femmes d'esprit| PDF
By:Kirsten Powell,Elizabeth C. Childs
Published on 1990 by Univ Pr of New England

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Toilet Paper PDF
By:Maurizio Cattelan,Pierpaolo Ferrari
Published on 2014 by Damiani Editore

|Toilet Paper| is an artists' magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text; each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts. Since the first issue, in June 2010, |Toilet Paper| has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery.

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The Prints of Louise Bourgeois PDF
By:Deborah Wye,Louise Bourgeois,Carol Hynning Smith
Published on 1994 by

Her increasing recognition since then culminated with the selection of her work to represent the United States at the 1993 Venice Biennale.

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Henri Laurens, ou, La femme placée en abîme PDF
By:Patrick Waldberg,Henri Laurens
Published on 1980 by

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Willem de Kooning Nonstop PDF
By:Rosalind E. Krauss
Published on 2016-03-01 by University of Chicago Press

In the early 1950s, Willem de Kooning’s Woman I and subsequent paintings established him as a leading member of the abstract expressionist movement. His wildly impacted brushstrokes and heavily encrusted surfaces baffled most critics, who saw de Kooning’s monstrous female image as violent, aggressive, and ultimately the product of a misogynistic mind. In the image-rich Willem de Kooning Nonstop, Rosalind E. Krauss counters this view with a radical rethinking of de Kooning’s bold canvases and reveals his true artistic practices. Krauss demonstrates that contrary to popular conceptions of de Kooning as an artist who painted chaotically only to finish abruptly, he was in fact constantly reworking the same subject based on a compositional template. This template informed all of his art and included a three-part vertical structure; the projection of his male point of view into the painting or sculpture; and the near-universal inclusion of the female form, which was paired with her redoubled projection onto his work. Krauss identifies these elements throughout de Kooning’s oeuvre, even in his paintings of highways, boats, and landscapes: Woman is always there. A thought-provoking study by one of America’s greatest art critics, Willem de Kooning Nonstop revolutionizes our understanding of de Kooning and shows us what has always been hiding in plain sight in his work.

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Femmes Artistes Modernes PDF
By:Paula Birnbaum
Published on 1996 by

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In Wonderland PDF
By:Ilene Susan Fort,Teresa Arcq,Terri Geis
Published on 2012 by Prestel Pub

Features the work of 48 Mexican and U.S.-based women artists whose contributions to the surrealist movement span more than four decades, from the 1930s to the 1970s, and whose work was both influential and radical in its own right. Includes essays exploring the effects of geography and gender on the movement, biographies of the artists with photographic portraits, and an image gallery arranged by artist.

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Boccaccio&s Des cleres et nobles femmes PDF
By:Brigitte Buettner
Published on 1996 by University of Washington Press

The first surviving illuminated manuscript of the French translation of Boccaccio's De mulieribus claris, known as the Cleres femmes (now in the Bibliotheque Nationale, Paris), is the subject of this book. The manuscript was commissioned by a Parisian merchant, Jacques Raponde, as a New Year's gift for the duke of Burgundy, Philip the Bold. This innovative aspect of the commission, where a merchant rather than a prince acted as the patron of the manuscript, provides the subject for the first part of Buettner's study. In addition to sketching the Valois rulers' practice of collecting illuminated manuscripts and to tracing the reasons for the successful reception of Boccaccio's work in this courtly milieu, the author delineates the role of merchants in Parisian artistic production around 1400.

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From the center PDF
By:Lucy R. Lippard
Published on 1976 by Plume

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